Sunday, April 29, 2007

Postcard from Vietnam


eO artist Robyn Wainman and family have recently returned from a backpacking trip to Vietnam.


In this emailed "postcard", Robyn makes comment on Vietnam's contemporary art culture and in particular, the work of twin brothers Le Ngoc ThanH and Le Duc Hai. Their work can be found here



"Tamara Lempicka appropriations and any other
painting you may want - all over Saigon (Ho
Chi Minh City) - you walk into the galleries
and see the artists reproducing from
a meagre post card size!


Away from Saigon (the Copy City) there
are brilliant artists being shown in galleries
in the funniest locations - conceptual and
bloody brilliant artists - with massive accreditations
and European exhibitions under there belts.
I have been blown away with the contemporary
works (many in lacquer work) that are shown
in down town poverty areas.


The starting prices are not cheap (approx $900
US for 1mt sq. as an average), but that is before
haggling for a 'happy' price! - that is 'happy
for them and happy for us"!


There has been many works that I would have
haggled for at another time. The Vietnamese
artist works are so out there, but when you meet
the artist, they are ordinary, and usually middle
aged, simple 'males' who must be considered
radical amongst there own. I did not come
across a female artist, but that doesn't surprise
me as the female is still a second class citizen
in Vietnam, and lesser than all if she is the mother
of daughters only! Even now, the doctors lie to
pregnant mums about the sex of their babies
until they are into their seventh month if they
are carrying a girl baby, to avoid abortion - as
they are 'women without voice' if they don't first
bear a son. Many times over the last three weeks
I have been congratulated on my 'powerful voice',
as the mother of two sons! - if only they knew!!


In Saigon we met a professor of social (something),
who lectures in Australia and England on the
inequality of Vietnamese females and socialist
doctrines that could bring about his assassination
if it wasn't for the powerful few that he has in his pocket.


The dramatic difference in the social equality
explodes as you travel from north to south. The
people in the north are decades behind those
in the south, with a visible difference in each
province. The people have put the war behind
them, but those in the rural north would have
no comprehension of what has been gained
in the south. Our last day in ‘Nam took us to
the 'Remnant Museum' - a strange name for a
mainly photographic recollection of the
atrocities of the war. There is little reference to
Australia’s contribution - it is the US who altered
the destiny of Vietnam - the US have a lot to
answer for, as we know, but when seen graphically
depicted, as this museum does, there remains
so many unanswered questions.


Getting heavy now - change of subject…….."

Tuesday, April 24, 2007

Attention! Huom! Obs.! eO Women

Caterina van Hemessen
Self Portrait
1548
oil on canvas
Offentliche Kunstsammlung, Basil



eO members have been invited to contribute self portraits to an international exhibition for women to be held in Finland in June –



KVINNA!
NAINEN!
WOMAN!



Translations:



Kvinna is Swedish for Woman
Nainen is Finnish for Woman

The first self-directed workshop will be held on 6th of May from 11am to 3.30pm with a possibility of another one a fortnight later.
Cost is $10 which covers tea, coffee, facilities, postage and administration.
This is an opportunity to socialise with other artists while enjoying our art practise.




If you cannot make the workshop but would like to contribute, please contact me for further details.



Spots are limited so book soon to avoid disappointment.
For more details please phone Sharyn Walker on 0403395297 or email me




For more information about eO please email eO


Saturday, April 21, 2007

Spaces and Places

eO will have a representative at the next meeting of "Spaces and Places", Tuesday 24th April (for more information, go to Backpage), as Gosford Council prepares a report for a “Cultural Spaces and Places Framework”.

If you would like to contribute ideas, comments etc. please email me or post a comment here.

Friday, April 13, 2007

Nature - Naturally






Nature - Naturally


Renate Leyer captures her personal response

with this new body of work to

be exhibited

20 to 22 April

The Studio Gallery

Gosford Regional Art Gallery

36 Webb St

East Gosford


Opening Friday 6.30pm







Reef


Poppies



The Habitat



Garden Space



Rock Erosion

Tuesday, April 03, 2007

Changeling: Response from the Mayor

The following is the response from Mr Maher dated 29 March 2007, received 3 April 2007.
.
Photographic Exhibition 'Changeling: Childhood and the Uncanny'
.
Thank you for taking the time to write to me on behalf of the eO Committee regarding your concerns about the early closure of the above-mentioned exhibition. Let me preface my response by saying that we are very proud of the Gosford Regional Gallery and the high standard of exhibitions, level of professional development opportunities and artist support and community linkages that have been achieved in the relatively short period it has been open. These achievements have only been possible through the expertise and efforts of the staff, whom we also support completely.
.
Undoubtedly, the 'Changeling' exhibition received an unprecedented amount of negative and positive feedback that was recorded in the visitor book at the Gallery, through letters to Gosford City Council staff and Councillors and through direct representations to Councillors, including me -through the entire exhibition period. It was only after an article in the local paper that made claims of child pornography that the exhibition was closed ahead of schedule. This was not Council censorship of the artists' work, but rather an attempt by Gosford City Council to ensure the works would not be trivialised as a consequence of the articles that appeared in the papers and the public comments which referred to the works being child pornography.
.
Contemporary art practice currently does have a place in Gosford. Contemporary art continues to be a key component in the Gosford Regional Gallery exhibition program - through exhibitions such as 'Dawn Light', "Night Walks' and 'Emerging'.
.
Thank you again for your correspondence in relation to this matter.
.
Yours sincerely
Councillor Laurie Maher
MAYOR
_____________
In relation to the timeliness of the response, correspondence was also received today from T J Thirwell, Director, Community Services And Organisation Development:
.
Letter Regarding the Photographic Exhibition 'Changeling:
Childhood and the Uncanny'
I have discussed with the Mayor the response to your letter of 7 February 2007.
.
Unfortunately an error occurred in the tasking of the letter by Council Staff and hence this caused the delay in responding.
.
A letter has been drafted in response now and has been forwarded to the Mayor for his signature.
.
Once again I apologise for the delay in responding.

Sunday, April 01, 2007

A 'memorable' Night

Joe and Josephine consider Kiera O'Toole's ash-filled artwork,
Something that Once Was
Opening night of Re-VIEW - Memories Reframed
photo F.Doyle



From the observed deterioration of the memory to sweet
recollections of childhood encounters, each box projects
personal yet collectively familiar stories.

.

Fourteen eO artists compose their own narrative
on Memory and Reframe in sixteen clear perspex boxes.
.

Opening night was celebrated with family, friends and
lovers of contemporary art and many artists
were commended on concepts and execution.
.

eO inc. would especially like to thank the following
for their support during this exhibition:

.

Liam, Khara and Grace
Newview Gallery, Newtown
.
Adam and Ross
Courthouse Hotel, Newtown

.

Craig
Formation Signs and Plastics
Chittaway Point

.


.

Ricardo Saez
Saez Network Solutions
Bateau Bay
.

Re-VIEW runs until April 8,
Newview Gallery
277 Australia St
Newtown

Liz Reviews New Media Concepts

Last night (29 March) I attended the opening of an exhibition by five
fourth year students from Leeds Universities Fine Art
Degree. It was a show that they had organized
themselves and was held in The Merrion Centre. The
Merrion Centre is a shopping centre not far from the Uni,
however, not unlike Gosford, there are quite a few shops
that are closed.

The exhibition – in one of these shops was an exploration
of conceptual art through new media, so many works
included the use of film and sound. I found the works to
be extremely interesting, and three in particular
innovative and exciting.

The first work that caught my attention was by Eva.
She had set up a television monitor at the back of the
shop, this was connected to a small camera at the front
of the shop that went unnoticed by passerby’s. The
camera, pointed to the ground and recorded the
shadows of light, people passing, moments that are
still and moments that change.

I talked to her after the show about her work, it
was a work that revealed her fascination with time
and place and these two ideas intertwined to create
ephemeral moments where the viewer, unwittingly
is part of the artwork, yet does not realize this until
the moment has passed.

The second work that fascinated me was by Rosa.
She had set up three booths at the back of the shop.
Each booth contained a disc player for the audience
to listen too. Each disc contained a conversation of
sorts between the artist’s sister and their
Grandfather. All three conversations consisted of
a German word (their Grandfather is German),
reflected back between the two, each time the word
becoming more meaningless as the rendition
becomes more ridiculous. This work looked at the
linguistical meanings of the three words and how
that falters under the misrepresentation, or
mispronunciation of the word.

The third work, that actually links into my current
research to do with the body, is by Hammam. His
work, through the use of sound, maps his body,
recording its experience in a certain condition.
Lined on the wall were approximately 60 tapes.
Each tape contained a recording of the sound of a
microphone tapping on the different parts of his
body. You could select a tape and listen to it on
the walkman provided. I listened to his left jaw.
This work was interesting to me because of its
reference to phenomenology, or the
representation of an experience felt by his body
(and thus consciousness).

This exhibition showed a quality of work,
conceptually and practically that reveals the
potential of these students to show at an
international level. It has shown me the
advantages of living in the UK ( or Europe), and
having easier access to world renowned artists
that push the conceptual boundary, and how this
can inspire art students here to do the same.

I am not criticizing the remoteness of Australia
at all – that can have its own advantages,
however, I am glad to have had this opportunity
to see the standard of student work here in the
UK, by some truly talented artists.

Liz Wright.